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I am a Bay-Area based printmaker and illustrator. I try to capture in my work the beauty, curiosity,
and wonder I see in the world.
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Press:
Sunset Magazine Gift Guide, 2011
BARK Magazine, 2011
Apartment Therapy, 2011
Wired.com, 2011
Today Show Valentines Special, 2009
Daily Candy, 2008
Town & Country Holiday Gift Guide, 2008 |
Stores:
Museum of Craft and Folk Art
San Francisco, CA
Burke Museum of Natural History,
Seattle, WA |
Clients:
Barilla Pasta
Cake
Edelman
Ten Speed Press
World Health Organization |
The Printmaking Process:
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To create a block print, I
first start by drawing an image on a block of linoleum.
Linoleum is a material made from linseed oil and wood or
cork dust. The image must be drawn backwards, as it will
leave a mirror image when printed. |
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Next I carve out all the
negative space in the image. The linoleum that remains will
catch the ink and form the final image. |
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When all the negative space is
carved away, I ink the linoleum block with a roller, or
"brayer". |
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To print the piece by hand, I
place a piece of paper over the block and rub the back of
the paper with a wooden spoon. This transfers the ink to the
paper. |
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The final print is revealed. |
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To print the piece on the
press, I place the inked block on the bed of the press and
place a piece of paper on it. Then I cover it with press
felts and roll it through the press. The metal roller of the
press applies a large amount of pressure to the paper and
plate, transferring the ink to the paper.
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To make a multi-color print, I
use a few different techniques. One involves carving
multiple linoleum blocks, each of which will print one area
of color. In this example, I have carved five different
blocks. One block can be painted with multiple colors, which
can result in a more complex and painterly print. |
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